"This is an extremely interesting and useful collection of essays presenting totally new interpretations of images in photography and cinema in twentiethcentury China. Essays herein demonstrate how, with proper analysis, significant information about material culture can be obtained from visual images. These essays in particular validate the notion that visual images are discre...(展开全部)

The Nanputuo Temple in the southeastern Chinese city of Xiamen has been a cherished site for the worship of the bodhisattva Guanyin for centuries. It was a center of modernizing Buddhism in the early twentieth century and a flagship for the revival of Buddhism after state suppression during the Cultural Revolution. The Space of Religion takes readers inside the Nanputuo Temple ...(展开全部)

This third volume of Princeton Readings in Religions demonstrates that the "three religions" of China--Confucianism, Daoism, and Buddhism (with a fourth, folk religion, sometimes added)--are not mutually exclusive: they overlap and interact with each other in a rich variety of ways. The volume also illustrates some of the many interactions between Han culture and the cultures d...(展开全部)

纳尔逊•古德曼，著名的分析哲学家、逻辑学家、科学哲学家和美学家，现代唯名论、新实用主义的主要代表之一。著有《表象的结构》(1952)、《事实、虚构和预测》(1954)、《艺术的语言》(1968)、《构造世界的多种方式》(1978)、《心灵及其他问题》(1984)等。

From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s...(展开全部)

This volume outlines the origins of a wide range of disciplines including astronomy, agricultural science, medicine, physics, chemistry, and natural history. It provides an overview of China’s history of science and technology, which can be traced back to the pre-Qin times when the arts had free expression and the schools of thought were unrestricted. It also includes a glossar...(展开全部)

A giant statue of a six-pipe musical instrument stands in the heart of Kaili city. Yet despite its prominent placement, intended to convey the essence of the city, residents hold extremely low opinions of music-making in Kaili, particularly when compared to the “authentic” music found in surrounding ethnic minority villages. In this engaging, accessible work, author Paul Kendal...(展开全部)

First published in 1981, The Renewal of Buddhism in China broke new ground in the study of Chinese Buddhism. An interdisciplinary study of a Buddhist master and reformer in late Ming China, it challenged the conventional view that Buddhism had reached its height under the Tang dynasty (618–907) and steadily declined afterward. Chün-fang Yü details how in sixteenth-century China...(展开全部)